We arrived on the first day at Sunset Sounds with program in hand, not sure how we were going to manage all of our "must-see" bands. Here is how we went.
The Middle East - when they played a packed Family during Big Sound, the crowd of industry types and music devotees collectively shut up to experience some of the quieter songs in a chills-down-the-spine experience, and so I was interested to see how they were perform in a noisy open festival environment. Personally, I don't think they managed the punch of that earlier experience, but they were playing to a crowd of devoted fans who were more than happy.
Next, The Phenomenal Handclap Band took the stage. Their 70s styling and psychedelic sounds probably seemed a little out of place for Gen Y'ers embracing all things 80s, but there were still a lot of punters enjoying a rolicking set. Having received regular triple j airplay, "15 to 20" was well received.
What can I say about Emiliana Torini? She was one of the festival highlights, absolutely beautiful, gracious and gifted, effortlessly playing a set from her impressive recording catalogue. I'd see her live again in a heartbeat.
Next, Art vs. Science played to a huge and excited audience. Literally, it was a "whoa - you should see the crowd" moment for us from our slightly elevated vantage point, and it was a fun experience although we can't claim to be big fans of their music.
Having heard good things about his appearance at Falls Festival, we lined up to see Moby. I didn't think there were this many young people in Brisbane. Moby fans are particularly fanatical. (No, you should really see this crowd - river stage packed to the gills, I had never seen it so before.) My personal highlight? Moby covering Johnny Cash, 'Ring of Fire', and the crowd sang along. Thank you, thank you, thank you.
And if that wasn't enough, day two arrived. First up, Hungry Kids of Hungary were clearly having a good time, and delivered the goods to the slightly more relaxed crowd.
King Khan and the Shrines was a fun, fun show - and a blissfully chilled-out river stage in the late afternoon with room to sit down if you wanted, and room to dance if that was what called to you as well. Next up, Oh Mercy were a delight, and Lisa Mitchell performed a lovely set for a big, and enthusiastic crowd.
And then it was time for the reason I bought the ticket in the first place: Grizzly Bear. At the end of Lisa Mitchell's set, the crowd moved in to take up position to see Grizzly Bear at the Gardens Stage. The anticipation was thick in the air, with this being a rare opportunity for people in Brisbane to see one of the hottest bands around. And they were wonderful. Although I did manage to stand behind the tallest man in the crowd *sigh*.
How to follow up Grizzly Bear? Well, with the stage antics of one Karen O. Yeah Yeah Yeahs! Again, a massively crowded river stage, with many, many people very keen to hear this amazing band. Everyone was singing along, (although thankfully not with the volume and lack of tunefulness as the guy standing next to me at Moby the night before). It was an amazing show, although it seemed to finish a little abruptly and 5 minutes early. Perhaps there's a story there (an energetic performance in the heat and humidity of summer in QLD might have been a factor), but an encore would have been very welcomed, and the crowd was a little disappointed at its absence.
A little rain falling during the days only added to the atmosphere (especially during Moby), although by the second day some areas were getting a little muddy. Lines for the toilets were long but moved fast, unlike the queues for the few food stalls which were long and moving at a snails pace during peak times. We bought museli bars on the second day to be prepared. All in all, an amazing line-up! If it is anywhere near as good next year, and time can be arranged off work to manage the mid-week scheduling, I'll be there again.