If Peter Greenaway has achieved anything in his video and light spectacular, "Leonardo's Last Supper", the most important thing is that he has given Jesus back his feet,.
While the original in the Santa Maria delle Grazie church in Milan, Italy, was badly damaged by a mindless act of vandalism when the church decided to construct a door through a section of this masterpiece, Greenaway has reconstructed the damaged work then overlayed the vandalised area with a pair of good feet in sandals.
Well done Greenway.
But beyond this highlight we have a very pleasing visual production using rousing music typical of any Grreenaway film you might have seen, as he deals with the painting in a number of interesting ways.
For instance, he zooms into the painting itself and travels across its surface before exploding the fragments of pigment that lie there. He uses several ways of highlighting to draw your attention to various parts of the painting, whether it be the hands of the apostles, or their various groupings.
Greenaway also manages to create a 3D effect over the painting withouit annoying glasses. Hollywood could learn much from this technique.
Greenaway is probably not much of a fan of the 'Da Vinci Code', because he could also have made much more of the very 'feminine' apostle to Jesus' right.
Greenaway has said we don't sem to be able to "read" art any more. Well, his show is not going to really improve your abilities in that area. You'll enjoy the sound and light show, but come out of it with little more understanding of Da Vinci, than that which comes out of having a close up view of his masterpiece for almost a whole half hour.
Just a little hint, stand halfway up the central table so that you can look at both projections on opposite walls. Otherwise, unless someone taps you on the shoulder, you will miss some of the action on the other screen.